Control Rooms
Three control rooms.
One integrated workflow.
Control Room A
Spacious, welcoming and built around the crown jewel of large-format mixing consoles: the Neve 88RS. Control Room A brings together the finest analogue and digital tools, from BURL 32 I/O and Merging Horus conversion to latest-generation plug-ins and a carefully selected collection of analogue outboard, ranging from modern processors to prized vintage classics.
Main monitoring is provided by ATC SCM45A and B&W 802D, complemented by a calibrated Dolby Atmos 7.4.1 system for immersive music and film mixing.
Control Room Box 1
An independent recording and mixing control room centred around an Avid S3 control surface, selected analogue outboard and Merging Horus conversion with up to 48 inputs. Direct integration with the live rooms makes Control Room Box 1 ideal for recording, overdubs, editing, mixing and simultaneous sessions.
Control Room Box 2
Equipped with four Avid S1 control surfaces and a 150-inch HDR projection system, Control Room Box 2 combines an efficient music workflow with the visual scale required for film work. It is equally suited to music production, picture-based sessions and film mixing.
Live Room A · 110 m²
A major recording space designed for orchestral sessions, ensembles and productions that need scale, definition and a naturally musical acoustic.
A room made for orchestras.
Comfortably accommodating an orchestra of around 40 musicians, Live Room A combines generous space with exceptional richness and natural body. Its controlled early reflections preserve clarity and definition while giving strings, brass, woodwinds and percussion a warm, full-bodied and cohesive sound.
Live Room B · 80 m²
A substantial and highly flexible recording room in its own right, designed for bands, rhythm sections, keyboards, overdubs and separated orchestral groups.
Flexible, independent and fully connected.
Live Room B offers approximately 80 m² of adaptable recording space and can work independently or simultaneously with Live Room A. Its direct connection to the control rooms supports complex productions requiring isolation between instrumental families, parallel recording setups or a dedicated environment for bands, percussion, keyboards and amplification.
The room includes a versatile selection of instruments and backline, including Fender Rhodes, Wurlitzer electric piano, keyboards, drums and Fender amplification.
KickBack V3.
The technology behind the sound.
The distinctive acoustic character of Live Room A is created by KickBack V3, the resonator system developed by Digital Records over years of research and listening. Its sculpted bamboo panels manage acoustic energy without deadening the room, contributing to the unique richness, warmth and smoothness of its sound.
Complete Technical Sheet
Three control rooms, two Dolby Atmos environments and flexible recording spaces designed for orchestral, film, television and music production.
Current facility highlights
- Live Room A: 110 m², comfortable for an orchestra of around 40 players
- Innovative bamboo acoustic colour system
- Live Room B: 80 m², flexible independent recording environment
- Simultaneous separated recording between the two live rooms
- Three audio control rooms; two equipped for immersive mixing
- Film mix room: Dolby Atmos 7.4.1
- Monitoring: ATC SCM45A and B&W 802D; PMC Result6 and Genelec 8050 available
- Conversion: BURL 32 input / 32 output
- Merging Horus and Pro Tools HDX integration
- AES67 / RAVENNA networked audio workflow
- Steinway & Sons D concert grand
- Wurlitzer electric piano and Fender Rhodes Mk I
Console & control
- AMS Neve 88RS, 48 channels, Flying Faders and Total Recall
- 1 × Avid S3 control surface
- 4 × Avid S1 control surfaces
- 1 × Avid Dock
- Slate Digital Raven MTi Touch
- PreSonus FaderPort 16
Monitoring
- ATC SCM45A with C6 LFE unit
- B&W 802D
- Quested VS2108 5.1
- PMC Result6
- Genelec 8050A
Outboard & effects
- Lexicon 960L
- Lexicon 480L
- TC Electronic System 6000
- 4 × Teletronix LA-2A
- Chandler Limited EMI TG12413 Zener Limiter
- Chandler Limited EMI TG12345 Curve Bender
- Summit EQP-200B
- Thermionic Culture The Swift
- Thermionic Culture Phoenix Master Plus Compressor
- API Lunchbox 8-slot with Retro tube compressor
- 2 × Ela 7516 B compressor
- 3 × Mackie Onyx 800R
- Neve 4081
- Antelope MP8
- 2 × Warm Audio WA-2A
- 2 × Warm Audio EQP-WA
Microphones
- 3 × Neumann M149 Tube
- 5 × Neumann TLM170R
- 2 × Neumann U87 Ai
- Neumann KM83i
- 11 × Neumann KM84i
- 4 × Neumann KM86i
- 9 × Neumann U84i / KMS
- 14 × Neumann KM184
- 2 × Brauner VM1
- 3 × Telefunken Ela M260 with TK60/TK61/TK62 capsules
- 2 × AKG C414 XLII
- AKG C460B with CK63-ULS
- 2 × Shure SM57
- 3 × Shure SM58
- Shure Beta 52A
- Electro-Voice RE27N/D
Recording, conversion & synchronisation
- Avid Pro Tools Ultimate / HDX systems
- BURL 32 × 32 conversion
- Antelope Galaxy 64 Synergy Core with 64-channel HDX
- 2 × Merging Horus with PT64
- Avid HD I/O 8×8×8
- 2 × Apogee AD-16X
- 3 × Apogee DA-16X
- SSL Alpha-Link, 24-channel AD/DA
- 2 × MOTU 24 I/O
- MOTU 896
- Digidesign 003 Rack and 002 Rack
- Tascam IF-AE8 TDIF–AES/EBU
- Tascam IF-TAD TDIF–ADAT
- Digidesign Sync HD and Sync I/O
- Adam Smith Zeta Three with remote
- MOTU MIDI Express and MIDI Timepiece AV
Analogue & digital recorders
- Studer A820 multitrack
- Sony PCM-3348
- Mitsubishi X-880
- Tascam DA-78HR
- Studer A810 stereo
- Sony PCM-2300
- Tascam DA-302
- Tascam DA-20 MKII
- Dolby Type A, 24 channels
- Dolby 363 SR/A, 2 channels
Software
- Avid Pro Tools Ultimate
- Avid Pro Tools HD 11 and HD 10
- Logic Pro
- Digital Performer
- Avid ReVibe
- Audio Ease Altiverb XL
- Digidesign DNR and DigiTranslator
- Serato Pitch ’n Time
- Antares Auto-Tune
- Celemony Melodyne
- Source-Elements Source-Live
- Audiomovers LISTENTO
Headphone systems
- 2 × Behringer Powerplay 16
- 3 × Behringer Powerplay 16 D
- 20 × Behringer P16-M personal mixers
- Behringer Powerplay Pro-XL and Pro-8
- 28 × Sony MDR-V150
- 75 × Roland RH-5
- Grado SR60 and 2 × SR125x
- 5 × Beyerdynamic DT770 Pro 80 Ω
Video
- Datavideo DAC-100 FireWire
- Pinnacle Mirò DC30+
- Panasonic PT-AE1000E Full HD projector
- 2 × Panasonic TH42PW6 plasma displays
- 2 × Philips 4000 Series 42PFS4012
- 2 × EL 20-inch LCD displays
Technical inventory is subject to availability and session configuration. Contact us to confirm the exact setup required for your production.